The FAB Board includes scholars and artists from various timezones, life trajectories, zodiac signs, cultural backgrounds, philosophical interests, socioeconomic brackets and institutional affiliations. Here are our current members:
Shawn Chua is a researcher and artist based in Singapore, where he is engaged with the archives at The Necessary Stage. He holds an MA in Performance Studies from Tisch School of the Arts, New York University, and is a recipient of the National Arts Council’s Arts Scholarship (Postgraduate).
Evelyn Wan is a PhD candidate at the Institute for Cultural Inquiry (ICON) at Utrecht University under the support of R. C. Lee Centenary Scholarship from her hometown, Hong Kong. Her current research is situated between media and performance studies, and looks into biopolitics in the age of algorithmic culture.
Eero Laine is an assistant professor at the University at Buffalo, State University of New York. His research engages the intersections of performance, labor, and culture. Eero is co-editor of the volume Performance and Professional Wrestling (Routledge 2016) as well as an editor of the journal Lateral (csalateral.org). He is a consistent director and sporadic performer.
Felipe Cervera has recently completed his PhD in Theatre Studies at the National University of Singapore. His work investigates the intersections of performance research and extraterrestrial exploration. His essays have appeared in Theatre Research International, Performance Research, Performance Philosophy, and Investigación Teatral.
Areum Jeong holds a PhD in Theater and Performance Studies from UCLA and her work takes a transnational approach to twentieth and twenty-first-century Korean and Korean American cinema, literature, theater and performance. Her current project looks at how performance and social media are used to document, record, or remember death, loss, and memory.
Anna Jayne Kimmel is a doctoral candidate in Performance Studies at Stanford University, where her research intersects: race, immigration, national identity, and post-colonialism through performance. Specifically, her current work engages Arab and Francophone African dance as a tool for investigating immigrant social and affective infrastructure, cultural memory, and movement practice. She holds an A.B. in … Continue reading Anna Kimmel
Asher Warren has recently completed his PhD, Awkward Moment & Optional Electric Shocks: The Products and Politics of Intermedial Participatory Performance at the University of Melbourne. He convenes Performance Studies Melbourne and has published in Performance Research, Australiasian Drama Studies and most recently in Performance in a Militarized Culture (2017).
Dr Yiota Demetriou is a lecturer in Performance Studies and Digital Media, Heritage, and Innovation. Her areas of interest include curating oral histories, creative technologies and automation, gamification and experience design, audience studies, engagement, participation, and cultural policy-making; alongside political performance, contested borders, and women’s war stories. She is a multidisciplinary artist, an experience designer, … Continue reading Yiota Demetriou
Azadeh Sharifi is a researcher, writer and activist. Since 2016 she is a PostDoc researcher at the theatre department Munich Ludwig-Maximilians-Universität where she is working on “(Post)migrant Theatre in German Theatre History – (Dis)Continuity of aesthetics and narratives”. From 2014 until 2015 she was a Fellow at the International Research Center “Interweaving Performance Cultures”, Freie Universität Berlin.
Natalia Esling received her Practice-Based Research PhD from the University of Toronto’s Centre for Drama, Theatre & Performance Studies and is currently lecturing at the University of British Columbia. She is co-organizer of the Articulating Artistic Research/SYMBIONT working group and has published in Canadian Theatre Review, G a t h e r i n g … Continue reading Natalia Esling